Music Samples

I focus on having a consistent sound palette through a play; this helps to connect the story for the audience. To achieve that, I’ll create a theme (which is usually only played in its entirety at the end of a show) that I can take sections out of and arrange differently to support what’s happening on stage.

Please note that all songs are copyrighted and cannot be used without the express written consent of Mark Toebben. If you want information on how to use my music or to discuss a new project, please fill out the “Contact Me” page.

Anne of Green Gables

My family traveled to Prince Edward Island prior to writing the music and got a feel for the island, its people and their music. It is simple yet lyrical with a Celtic influence. The director created a scene where Matthew’s heart attack (where the strings play) flowed into his funeral (guitar and flute) with narration from the book over the flute.

 “Two days afterwards, they carried Matthew Cuthbert over his homestead threshold and away from the field he had tilled and the orchards he had loved and the trees he had planted…”

The Hundred Dresses

In the beginning, Maddie hears a recorder playing in the wind. The recorder music became a central theme in the show. Wanda (the girl who played the recorder) was Polish so some Polish influences were incorporated.

Then later in the show, Wanda’s “Hundred Dresses” are revealed. The same theme was used but changed to a 3/4 time to give a lighter feel. The “reveal” was a surprise to the audience at 15 seconds into the piece.

Little House Christmas at Plum Creek

The Director created an opening that had Laura coming out onto the stage first and the family following to move into their new house on Plum Creek. The music underscores that activity ending with Ma Wilder placing a porcelain figure on the mantel at the last note.

The Kid Who Ran For President

And now for something completely different! This story of a kid who runs for President needed a campaign song, so here it is. In addition, the sound cues and underscoring all incorporated snippets of patriotic and American historical songs.

12 Angry Men

I wanted to bring the idea of the lone juror into the jazzy/film noir music that the director and I discussed. The muted trumpet is that juror and then the music builds just as the jurors’ discussion does.

Romeo & Juliet

I wrote the theme as a vocal piece but this is the instrumental version. It’s about Juliet lamenting about having to live a lifetime in four days (which is the name of the song). The setting was modern so the music had more modern elements.

The Diary of Anne Frank

I wanted the music to reflect the emotions and growth of Anne through her time in hiding.

Boeing, Boeing

A fun show, the music needed to reflect the 60’s feel so I channeled my inner Burt Bacharach and Herb Alpert!